Oct. 5th, 2010

interrogoiterum: (tear)

It's been a long long time since Renee was in Gotham, and the first order of business is Cris. He might not have any answers to the puzzle she's trying to put together, but she hasn't visited him, and he deserves that. She owes him a visit, and an apology.

She brings him roses. Not out of choice, but she didn't think to buy flowers until too late, and the street vendor only had red roses. Not usually the kind of thing that a lesbian would bring her male ex-partner, but Cris doesn't complain. Cris doesn't complain about anything these days.

She leaves them in their original wrapping by the gravestone.

From then on, she visits people in the exact reverse order of priority and need, because for everyone who isn't former Detective Allen, the people she most needs to see are the people she least wants to see. The uniform bars - nothing. Molly's - nothing. The obvious thugs - nothing, except the satisfaction of violence. The GCPD - something. Along with a lot of pain of seeing both Maggie and Jim at once. Renee is far too aware of how much she misses her cop family, but the job really wasn't good for her.

She's tracing the third version of the Bible of the Dark Faith. It was being handled by a man named Flay, and then passed to the Penguin for auction. Renee needs it; needs to know what she's dealing with.

And the best person to help her is the first and last person she wants to see.

"I owe you an apology, Kate."

God, she looks good. And she's mad, which is only to be expected considering how Renee left her (It feels like years now, fucking Milliways), and that just makes her hotter. It'd be a cliche to talk about redheads and their tempers; god knows Renee's been as guilty of that as anyone.

They go to a cafe for a drink – Kate is surprised that Renee doesn't drink anymore – and Renee explains about her quest to learn more about the book.

"The words, the pictures. It's hard to explain... it's terrifying, even... even evil... but it's also seductive and sometimes... sometimes you can see the beauty in it."

"STOP IT." Kate screams at Renee, who hadn't intended to start talking like that and is as much surprised by herself as by Kate's shouting. Kate doesn't have to remind Renee that the book ordered her murder, but she does anyway.

"You should destroy them," she insists. "Burn the books."

"No," Renee says stubbornly. "I can't. I have to know my enemy."

Kate remains unhappy, but she nevertheless aquieses to Renee's unspoken request for help.

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